A brand built around growth and connection Cultivar Communications

Service

Brand Identity

Role

Freelance Designer

Year

2025

Cultivar: in English, a plant variety developed through cultivation; in Spanish, “to cultivate.” The dual meaning mirrors the founder’s own dual cultural heritage and the brand’s focus on intentionally nurturing community. A logomark of repeated leaf shapes visualizes it: a field spreading outward, helping the community flourish. The symbol ties the identity to the founder’s personality, shaping it into a declaration of who she is and what she is here to do.

Horizontal logo Vertical logo Tagline Color palette
First logo animation | partially generated with AI

Understanding

Understanding the Client & Project

Cultivar Communications, founded by Anya Hanna, a professional with corporate experience, helps small businesses and nonprofits in the food and agriculture sectors. The firm provides high‐quality communication tools typically reserved for large brands.

The identity needed to carry two things at once: Anya’s dual cultural heritage, and her commitment to nurturing community through her work.

Insight

Exploring Two Conceptual Directions

Idea 1. Grounded in Gettysburg Heritage

This idea drew on Gettysburg, where the business began, using local landmarks and native plants so the brand feels rooted in the community it serves.

General Buford Statue Gettysburg Witness Tree The David Wills House and brick paving on the Gettysburg square Virginia Bluebells Goldenrod Apple Blossom The Wheatfield
Photos are stand-ins for the originals in the client presentation. Image Credits (from top left): General Buford Statue, Veggies, public domain | Witness Tree, Veggies, CC BY 4.0 | The David Wills House, fauxto_digit, CC BY 2.0 | Virginia Bluebells, Cbaile19, CC0 | Rough Goldenrod, Rob Routledge, Sault College, Bugwood.org, CC BY 3.0 | Apple Blossom, George Chernilevsky, public domain | The Wheatfield, Jason Martz, National Park Service

Idea 2. Visualization of the Founder’s Essence (Selected)

This idea centered on the founder herself: her taste, her heritage and her personality. It was selected, and the rest of this page shows how it was built.

Translation

Visualizing the Name

Meaning of Cultivar

A communications firm works the way a farmer does. Cultivar finds the value in each client and cultivates it. The client’s business, and the community around it, grow toward their goals and mission. The logomark illustrates this metaphor in its simplest form: farm produce shapes repeating and spreading outward in a pattern, like a field coming into harvest. It carries the brand’s vision: “Growing connection. Reaping results.”

Logomark idea 1
Logomark ideas (Geometric)
Logomark idea 2
Logomark ideas (Organic)
Selected idea
Selected idea
Every choice in this identity had to do one thing: feel like her, both who she is now and who she’s still becoming.

Expressing the Founder Through Color

Throughout her journey of discovering her loves in life, she realized that jewel tones represent her.

To ensure sustainable brand identity use, the palette has four color pairs to categorize clients as the business grows. Since main clients include small businesses, nonprofits, and purpose‐driven organizations, each group needs a tailored approach to express their authentic voice. The founder can use these colors strategically as the brand evolves.

Color Palette
Four color pairings inspired by jewel tones

Balancing Human Expression & Professional Trust

The primary and secondary typefaces aim to communicate trust through a genuine human connection while maintaining a professional appearance. I chose Cormorant Infant and Inclusive Sans because their combination reflects the founder’s calligraphy talent and her distinctive style of writing glyphs.

Client’s original calligraphy handwriting
Client’s original calligraphy handwriting
Primary brand typeface with calligraphy-inspired italics
Primary typeface with calligraphy‐inspired italics
Handwriting details paired with the secondary typeface
Handwriting details paired with the secondary typeface